Why look beyond Focusrite Scarlett 2i2

The Focusrite Scarlett 2i2 has established itself as a common choice for entry-level audio recording, particularly for home studio users, podcasters, and streamers. Its appeal stems from its straightforward USB connectivity, two microphone/line/instrument inputs, and included software bundle, making it accessible for those new to audio production. However, specific user requirements or budget constraints may necessitate exploring alternatives. For instance, some users might seek interfaces with different input/output configurations, such as more line outputs for studio monitors or additional headphone outputs for collaborative sessions. Preamplifier characteristics, including gain range and noise floor, can also vary significantly between brands, impacting the quality of recorded audio for discerning users. Furthermore, bundled software and integration with specific Digital Audio Workstations (DAWs) can be a decisive factor, as some interfaces offer tighter integration or more comprehensive software packages. Finally, while the Scarlett 2i2 offers solid performance for its price point, competitors may offer lower latency performance or specific features like built-in DSP effects that could be beneficial for certain workflows.

Top alternatives ranked

  1. 1. Universal Audio Volt 2 — Vintage tone and studio-grade conversion

    The Universal Audio Volt 2 is positioned as a direct competitor to the Scarlett 2i2, offering a 2-in/2-out USB audio interface with a notable feature: a built-in 'Vintage Mic Preamp Mode'. This mode emulates the sound of Universal Audio's classic 610 tube preamp, providing a distinct tonal option for recording vocals and instruments that the Scarlett 2i2 does not natively offer. The Volt 2 also boasts 24-bit/192 kHz audio conversion, aligning with professional studio standards for fidelity. Its construction is robust, featuring a retro-inspired design. Users looking for high-quality preamps with an optional vintage character, alongside a comprehensive software bundle including Ableton Live Lite, Softube Marshall Plexi Classic, and Celemony Melodyne Essential, may find the Volt 2 a compelling choice. Its direct monitoring capabilities allow for latency-free recording. The Volt 2 is suitable for musicians, podcasters, and content creators who prioritize audio quality and a specific sonic aesthetic.

    Best for: Users seeking vintage preamp emulation, high-fidelity conversion, and a robust software bundle.

    Learn more about the Universal Audio Volt 2.

    Official site: Universal Audio Volt Series

  2. 2. PreSonus AudioBox USB 96 — Budget-friendly with robust build quality

    The PreSonus AudioBox USB 96 serves as an economical yet reliable alternative, providing 2-in/2-out functionality at a competitive price point. It supports audio resolution up to 24-bit/96 kHz, which is sufficient for most home studio and podcasting applications. A key differentiator is its durable, all-metal chassis, designed to withstand frequent travel and studio use. The AudioBox USB 96 includes two combo mic/instrument inputs with Class A preamplifiers, offering clean gain for various sources. It also features MIDI I/O, which is absent on the Scarlett 2i2, making it a better option for users integrating hardware synthesizers or MIDI controllers. PreSonus bundles the interface with its Studio One Artist DAW and the Studio Magic Plugin Suite, providing a comprehensive production environment. This interface is particularly well-suited for students, beginners, or those on a strict budget who still require dependable performance and a sturdy build.

    Best for: Budget-conscious users, those needing MIDI I/O, and individuals prioritizing build durability.

    Learn more about the PreSonus AudioBox USB 96.

    Official site: PreSonus AudioBox Series

  3. 3. Behringer UMC202HD — High-resolution audio on a minimal budget

    The Behringer UMC202HD offers a compelling value proposition for users seeking high-resolution audio capture without a significant investment. This 2-in/2-out USB 2.0 interface provides 24-bit/192 kHz conversion, matching the fidelity of more expensive units. It features two Midas-designed microphone preamplifiers, which are known for their quality and low-noise performance, a significant advantage at its price point. The UMC202HD includes phantom power for condenser microphones and direct monitoring for zero-latency playback during recording. While its software bundle is less extensive than some competitors, focusing primarily on drivers, its core audio performance makes it a strong contender. This interface is ideal for users who need a straightforward, high-quality audio interface for recording and monitoring, particularly those who already own or prefer their own DAW and plugin suites. Its simple operation and robust audio specifications make it suitable for musicians, vocalists, and podcasters on a tight budget.

    Best for: Users prioritizing high-resolution audio and Midas preamps at the lowest possible cost.

    Learn more about the Behringer UMC202HD.

    Official site: Behringer UMC202HD

Side-by-side

Feature Focusrite Scarlett 2i2 (4th Gen) Universal Audio Volt 2 PreSonus AudioBox USB 96 Behringer UMC202HD
Inputs 2 x Combo (XLR/TRS) 2 x Combo (XLR/TRS) 2 x Combo (XLR/TRS) 2 x Combo (XLR/TRS)
Outputs 2 x TRS Line, 1 x Headphone 2 x TRS Line, 1 x Headphone, MIDI Out 2 x TRS Line, 1 x Headphone, MIDI Out 2 x TRS Line, 1 x Headphone
Max Sample Rate/Bit Depth 192 kHz / 24-bit 192 kHz / 24-bit 96 kHz / 24-bit 192 kHz / 24-bit
Preamps 2 x Scarlett Preamps 2 x UA Preamps (with Vintage Mode) 2 x Class A Preamps 2 x Midas-designed Preamps
Phantom Power Yes Yes Yes Yes
Direct Monitoring Yes Yes Yes Yes
Connectivity USB-C USB-C USB-B USB-B
Bundled Software Ableton Live Lite, Pro Tools Artist, Hitmaker Expansion Ableton Live Lite, Softube, Celemony, UJAM, Spitfire Audio Studio One Artist, Studio Magic Plugin Suite None specified (drivers only)
Approximate Price (USD) $189.99 $189.00 $99.95 $89.00

How to pick

Selecting the right audio interface involves evaluating several factors based on your specific use case, budget, and desired feature set. The Focusrite Scarlett 2i2 is a strong contender for many, but its alternatives offer distinct advantages that might better align with certain needs.

Consider your primary application

  • For Musicians and Vocalists: If you're recording instruments and vocals, the quality of the preamps is paramount. The Universal Audio Volt 2 offers a unique 'Vintage Mic Preamp Mode' that can add warmth and character to recordings, which might be appealing if you're looking for a specific sonic signature beyond clean transparency. The Behringer UMC202HD, with its Midas-designed preamps, provides a high-quality, low-noise option at a significantly lower price point, suitable for those on a tight budget who still demand good audio fidelity.
  • For Podcasters and Streamers: For spoken word applications, clean preamps and reliable direct monitoring are crucial. All listed alternatives provide these features. The PreSonus AudioBox USB 96 offers a durable build and MIDI I/O, which could be beneficial if you plan to integrate MIDI controllers for sound effects or music beds.
  • For Mobile Recording: If portability and robust construction are key, the PreSonus AudioBox USB 96's all-metal chassis makes it a durable choice for on-the-go recording.

Evaluate audio quality and specifications

  • Sample Rate and Bit Depth: Most modern interfaces, including the Scarlett 2i2, Universal Audio Volt 2, and Behringer UMC202HD, offer up to 24-bit/192 kHz resolution. This is considered professional-grade and delivers excellent fidelity. The PreSonus AudioBox USB 96 caps at 24-bit/96 kHz, which is still more than sufficient for most applications but may be a consideration for those requiring the absolute highest sample rates for specific mastering or archival purposes.
  • Preamplifier Quality: Beyond raw specifications, the character of the preamps can influence your sound. Focusrite's Scarlett preamps are known for being clean and transparent. Universal Audio's Volt series offers a distinct vintage flavor. Behringer's Midas-designed preamps are highly regarded for their low noise and clarity, especially given the price.

Consider connectivity and I/O needs

  • Number of Inputs/Outputs: All listed alternatives are 2-in/2-out interfaces, suitable for recording one or two sources simultaneously. If you anticipate needing more inputs (e.g., for miking a drum kit or recording a band), you would need to look at interfaces with a higher channel count, such as the Focusrite Scarlett 4i4 or similar models from other brands.
  • MIDI I/O: If you plan to connect hardware synthesizers, drum machines, or MIDI controllers directly to your interface, the Universal Audio Volt 2 and PreSonus AudioBox USB 96 include dedicated MIDI In/Out ports, a feature absent on the Scarlett 2i2 and Behringer UMC202HD.
  • USB Standard: Most modern interfaces use USB-C, offering faster data transfer and reversible connectors. The PreSonus AudioBox USB 96 and Behringer UMC202HD typically use the older USB-B connection, which still provides adequate bandwidth for 2-in/2-out operation but may require different cabling.

Evaluate bundled software and ecosystem

  • DAW and Plugins: The value of bundled software can be substantial. Focusrite's Hitmaker Expansion and Universal Audio's comprehensive suite with Ableton Live Lite and various plugins offer significant tools for production. PreSonus includes its own Studio One Artist DAW, providing a cohesive ecosystem. If you already have a preferred DAW and plugin collection, the software bundle might be less critical. The Behringer UMC202HD, for example, focuses on core hardware performance and relies on the user to provide their own software.

Consider your budget

  • Entry-Level: The Behringer UMC202HD and PreSonus AudioBox USB 96 offer excellent value for money, providing solid performance for under $100 USD.
  • Mid-Range: The Focusrite Scarlett 2i2 and Universal Audio Volt 2 typically fall into a slightly higher price bracket, reflecting their additional features, bundled software, or specific preamp characteristics.

By carefully weighing these factors against your individual needs, you can determine which audio interface alternative provides the optimal balance of features, performance, and value for your recording and production setup.